Tonight Natalie and I went to the Royal Albert Hall, sat in a box and watched a concert billed as a 'Classical Spectacular'.
If you have ever seen the Last Night of the Proms on TV, well you are some way there to understanding what this was like. It was pretty much the same thing but with extra lighting effects and lasers.
The opening piece was Aaron Copeland's "Fanfare for the Common Man", which apart from one of the trumpeters strangling an early note or two was a great start. Next was the William Tell Overture, by Rossini.
The third piece was Handel's "Zadok the Priest". This was played by most of the orchestra and the London Philharmonic Choir and Royal Choral Society. The piece incidently, was played when Mary Donaldson walked down the aisle earlier this year in Denmark.
Sousa's "The Liberty Bell March" was next, followed by Pachelbel's "Canon in D Major". The violins missed their entry early for this, which was disappointing.
Gounod's "Soldiers' Chorus from Faust" was next and then a famouse aria, "O soave fanciulla" from La Boheme was sung by Soprano, Joanna Burton and Tenor Geraint Dodd.
Ravel's "Bolero" was next and was a splendid effort, except for the harpist who wished to race the snare drum which was keeping the tempo of the piece.
The finale of the first half was Elgar's "Pomp and Circumstance March No. 1". With great patriotic verve, Union Jacks (which came FREE with the programmes) were waved through the hall. It is obvious that the British long for the days when the sun never set of their Empire. Alas, that was a lifetime ago and they need to move on. Of course no red-blooded Brit can only sing "Land of Hopeless Glory" just once and so we were treated to an encore.
The second half started with the "Tirsh Trash Polka", performed by the Band of the Welsh Guards only. The conductor for the night, Anthony Inglis, was obviously still on tea break.
The conductor returned and the orchestra played Wagner's "Prelude to Act III" from Lohengrin. Then the second aria of the night, Verdi's "Sempre Libera" from La traviata, was performed, again by the sop and tenor.
Techaikovsky's "The Sleeping Beauty Waltz" was accompanied by dancers who ran throughout the stalls. Once they disappeared it was time for Orff's "O Fortuna" from Carmina Burana, a very powerful choral and orchestral work.
Then we were treated to Greig's "Morning" and "In the Hall of the Mountain King" from Peer Gynt. This was one of the highlights of the evening for me. You really couldn't fault the performance of these pieces.
Strauss's "Thunder and Lighting Polka" got the crowd warmed up for the patriotic "Jerusalem", by Parry. Then it was onto "Rule! Britannia" and the Union Jacks were once again flying.
Puccini's "Nessun Dorma" from Turandot was next. Memories of three waiters performing this at our wedding reception came flooding back and I had to smile. An encore of this was deservedly called for, the tenor doing a splendid job.
Now, for the Finale. Tchaikovsky's "1812 Overture" (not to be confused with the 1815 with twin overhead cams). This was fantastic! the lighting was terrific, the real muskets being fired, simulated cannon fire, and fireworks added a dimension to this piece that I have never experienced. What a way to finish... or so you would think.
No, we had to have an encore of the "Trish Trash Polka", followed by "Land of Hope and Glory" (Elgar's "Pomp and Circumstance" again), before the red, blue and white balloons were dropped from far above and everyone could go home.
What a night! While the first half was a little disappointing in places for not being up to scratch, the second half well and truly made up for it. Natalie and I both came away from the night with many great memories.